You were always on your way home, 2024 – Signed Print
You were always on your way home, 2024 – Signed Print
About
In india there is a narrative around every corner. By far the most interesting place I’ve photographed. Its mission is different than that of others. It is a sacred land with several holy rivers and powerful spiritual vibrations. A land suitable for divine contemplation and yogic practices. She has given birth to countless sages, rishis, ancient seers, saints, and sages. Her Himalayas attract people from far corners of the planet. Param Guru Swami Sivananda has said, It is in India alone that every man knows something of philosophy. Even the barber repeats Om Namah Shivaya, Sivoham before he takes up the razor. Nestled in the foothills of the Himalayas, Tapovan Rishikesh teams with adventure and spirituality. Known as the heart of the “Yoga Capital of the World,” it offers internationally recognized yoga institutions, ashrams, and Ayurveda centers. It is a town that is pretty lively at all hours. Cows rule the streets while motorcyclists and rickshaws weave around tractors and larger public transport vehicles. There wasn't much time to spend in this town while I was completing a 300hr Yoga Teachers Training Course, so every moment was milked. In my handful of sidequests, I was able to photograph a few fleeting moments. This one was taken crossing Badrinath Road. Two locals are depicted making their way through traffic. The speedy motorcyclist looks back while the man on horseback patiently paces forward. Both are making their way in the direction of the light. The photograph aligns with the core philosophy prevalent in India’s spiritual traditions, particularly the human soul (Atman) seeking reunion with the universal spirit (Brahman) or a divine home. Different ways of getting to the same place.
The photograph “You Were Always on Your Way Home” by Nkosi Gomez captures a fleeting yet layered moment on a busy street in Rishikesh, where movement, contrast, and symbolism converge.
Rendered in black and white, the scene unfolds along a sunlit road lined with modest buildings, tangled electrical wires, and scattered signage. The light is strong and directional, casting long shadows that stretch toward the viewer while illuminating the path ahead. At the center, two figures move forward through the flow of traffic: one riding a horse at a slow, steady pace, the other on a motorbike, caught in a moment of turning back to glance behind him.
The juxtaposition is striking. The rider on horseback embodies patience, tradition, and continuity—his posture upright, his movement deliberate. The motorcyclist, by contrast, represents speed and modernity, his backward glance introducing a sense of urgency or reflection, as if momentarily caught between where he has been and where he is going. Around them, the street hums with life: cars, structures, and infrastructure all pressing inward, creating a sense of density and motion.
Set near the foothills of the Himalayas, the photograph gains deeper resonance through its context. In a place long associated with spiritual seeking and yogic practice, even an ordinary street crossing becomes symbolic. Both figures are moving toward the same direction—into the light—suggesting a shared destination despite differing paths.
The image reflects a central idea found in many Indian spiritual traditions: that the journey of life, regardless of its pace or form, ultimately leads toward a kind of “home”—a return to essence, or unity with something greater. The motorcyclist’s glance backward hints at attachment or reflection, while the rider’s forward gaze suggests acceptance and trust in the path.
Amid the chaos of everyday life, the photograph quietly proposes that all movement—whether hurried or patient—is part of the same unfolding journey. It becomes less about the destination itself and more about the awareness of being on the path at all.
Specifications
Artwork Size: 6 ½ x 8 ½ (16.51 x 21.59 cm)
Print Size: Signed 8×10 in (20.32 x 25.4 cm)
Black Precut Mat Size: 11×14 in (27.94 x 35.56)
Photo finish: Epson Velvet Fine Art. Textured Matte Finish. An acid-free, 100% cotton rag base with a natural textured finish. This paper has an extremely high color gamut and black density. This paper is coated with our popular Enhanced Matte coating, giving exceptional color gamut and high D-Max. The velvet surface is a favorite of photographers and artists alike, offering a unique museum-quality feel.
Frame NOT Included.


