About

All redland roads are umbilical cords leading to red clay soil, rural open escapes, and sprawling fruit groves; A stark contrast to the city’s urban life. In the countryside the sun is full. Out here light flows from the top of the head to the soles of the feet. Eyelids squint and brows furrow. @handsonearth is here to give attention to intuition and absorb as much as she can about this new moment of spring’s equinox. I am here exploring a vision of a blossoming flower I saw moving freely on the land while the sound of a birdsong replied in the distance. Since ancient times people have used creative visualization in ceremonies for insight and healing. In this photographic epic, Michelle sits with what she wants and listens to what is surfacing through movement. As she puts it, Walking with the body, not ahead of it. Standing firm in one’s own truth and really listening to one’s own wisdom is her medicine. Not allowing the lyrics of another melody to influence her song. She chooses what she wants— a daisy, a lily, the soil itself. A memory…There’s the answer! Flashbacks from the few transformative years A young girl from Quito spent with her aunt in Georgia. All those chapters of her life branched out to her current passions as a somatic bodyworker who believes healing happens when we slow down enough to listen. Focus eventually finds a new place when all is complete. A shift is happening in teaching. Fusing bodywork with weaving. Unique way for women to come together learn an art form, share, and come back to their bodies. Michelle shares that as a people we are touched-deprived. People who have experienced her bodywork express that it is seamless and gentle. She offers touch as a practice of presence — a way of meeting yourself gently, without needing to perform wellness or arrive with answers. In her sessions, we honor the body as a living archive of experience, sensation, and wisdom. Nothing is forced. Nothing is pulled out. We simply create the conditions for what’s ready to emerge to do so in its own time.

In Nothing is Forced, Nkosi Gomez situates a solitary figure atop a weathered tractor, surrounded by open farmland and wide, breathing sky. The rural landscape stretches outward—fields, power lines, and distant growth—anchoring the image in a quiet contrast to urban density. Light falls evenly across the scene, unfiltered and direct, emphasizing presence over spectacle.

The subject stands still yet grounded, her posture neither performative nor posed, but attentive. Her white dress moves gently within the frame, evoking a sense of openness and receptivity. Against the machine’s weight and history, her presence introduces a softness—an intuitive counterbalance between body and land, industry and nature.

Gomez frames the moment as one of alignment rather than action. The figure does not impose herself on the environment; instead, she appears to listen within it. The tractor becomes less a tool and more a resting structure, a platform for stillness. The composition reflects a philosophy of emergence—where nothing is extracted or forced, and meaning unfolds through patience, memory, and embodied awareness.

The image carries a quiet narrative of return and reconnection. It gestures toward cycles—of land, of memory, of the body—where intuition guides movement and stillness holds its own form of knowing.

Specifications

Specifications

Artwork Size: 11.5 × 15.5 ( 29.21 x 39.37 cm )

Black w. Bevel Mat Size: 16x20 in ( 40.64 x 50.8 cm )

Photo finish: Epson Velvet Fine Art. Textured Matte Finish. An acid-free, 100% cotton rag base with a natural textured finish. This paper has an extremely high color gamut and black density. This paper is coated with our popular Enhanced Matte coating, giving exceptional color gamut and high D-Max. The velvet surface is a favorite of photographers and artists alike, offering a unique museum-quality feel.

Frame NOT Included.

This print ships within one week of the order date.